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Bread has normally been a lot more than just dough. So why not rejoice its sale and creation? Rather of next regular concepts of bakery aesthetics, this challenge targeted on an trustworthy emphasis on its critical substances: area and baked items. Located a little off the principal commercial streets of central Athens, the initial room presented an unusually elevated and recessed terrace space.
The KORA storefront and bakery thus characterize a form of phase for the output and show of baked merchandise. The presentation of these products and their accompanying creation processes are conceived as a clear spectacle. The method of baking and the presentation of items are perceived through a large wall of rotating steel shelves. Shifting situations of open up, semi-open, and closed facade components allow for not only for views of different forms of products and solutions but also into the manufacturing space itself.
The threshold involving inside of and outside is joined by an interactive perforated steel wall. A kinetic wall that can act as a shutter, an aperture, or a display screen surface area. The metallic wall is comprised of 50 personal trays that rotate independently around a central axis into diverse positions. When vertical they offer you the the very least transparency whilst letting for sights of silhouettes and mild coming via the perforation of the metal.
When horizontal they provide the optimum transparency by acting as a practical area for screen, completely ready to accommodate a fantastic assortment of baked goods. Eventually, the 45-diploma angle allows for partial sights of the qualifications as properly as an perfect product screen for the visibility of customers. By way of the addition and sale of diverse merchandise, the kinetic wall is as a result often modifying in its outer physical appearance. It simultaneously functions as a shutter, boundary toward the exterior, aperture to the spectacle of baking, and a mechanism for displaying baked items along with various situations.
Apart from creating a useful spectacle, cleanliness and servicing performed more essential roles in the selection of resources and colors. With each other with the moveable kitchen machinery, the mild-colored, sturdy, and non-porous surfaces of the lessen 50 % embody a form of atmospheric lightness. They consequently not only symbolize but practically are places that involve day by day cleansing and minimal routine maintenance. In distinction, all features on the ceiling and above the demanded hygienic degree of 2 meters, relate to mechanical and lights systems.
Due to the elevated character of the area, this second facade is specially obvious from the street stage. The commonly incoherent industrial character of such products was hence camouflaged through the application of a monochromatic colour tone that also enhances the existing higher making. The ceiling and all its aspects thus develop into less prominent though growing accessibility and adaptability by means of the entire publicity of mechanical and lighting components.
The celebration of functional things on the inside of compliments the perpetually shifting spectacle in and around the façade. Making and consuming bread (and pastries) turns into a performance, whereby the boundaries concerning performers and spectators are blurred.
Architects: en-route-architecture Area: 200 m² Calendar year: 2020 Images: Mariana Bisti Companies : AutoDesk, Ceramica Vogue, McNeel Lead Architects: Katerina Kourkoula, Hannes Livers Gutberlet
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